~ ART  MADE or TO BECOME    sug> ARTICULATED
       id+ | perhaps ART IS THAT WHICH ADDS 
  A QUIVER TO DEAD MATTER or ALL ARTS BUILD  
  MEMORIALS TO BEAUTY | 
  myth> the ILIAD alludes to
        CHARIS MARRYING HEPHAESTUS
  as if to merge their properties of
  CHARM and CRAFT as if to underscore that
  THE BEAUTY in ARTIFACTS and ART
  note ART IS ORIGINAL
  lit+ "IN ART REPETITION IS NOTHING" from
       Jose ORTEGA y GASSET [#] pp 12 as cited below
  lat ARS ARTIS  = ARTS
      ARTUS        LIMBS as in ARTICULATED kw
      ARX          PEAK  SUMMIT  ARCH  MAIN POINT
      ARTIFEX      CUNNING  ARTIFICIAL  CONTRIVED
      ARTERIA      ARTERY  CONDUIT OF THINGS
      ARTICULATIO  JOINT TO JOINT
  gr  ARTUNEIN     TO ARRANGE or      sug> ARTICULATE
                   JOIN WITH SKILL    sug> ARTISAN
  sp  ARTICULO     ARTICLE            sug> EXPRESS
      ARTEFACTO    ARTIFACT from      sug> PRODUCT OF HUMAN SKILL
      ART          SKILL              sug> APTITUDE  FINESSE
          FACTO    PRODUCT            sug> FACT  FACTOR  FACTORY
         OFICIO    TRADE  PROFESSION  sug> OFFICE  OFFICIAL
      ARTIFICIO    ARTIFICIAL or      sug> SKILL        see
      ARTIFICIAL   NOT NATURAL        sug> CULTIVATED or in
      ARTIFICE     ARTISAN            sug> STATE  STATUS
  eng ARTIFACT     MADE BY AN ARTIFICE
  sp  ARTESANO     ARTISAN or MAKER OF ARTICLES
                   NOT CHARACTERIZED FOR ORIGINALITY
  eng ARTISTIC     BOTH ORIGINAL AND AN ARTIFACT
  sp  ARTESANIA    POPULAR ARTS
      ARTISTA      ARTIST as in ARTISAN WITH ORIGINALITY
  ply> | true ART and ARTISTS penetrate the MEMBRANES of MEMORY
         and become MEMBERS or are REMEMBERED or COMMEMORATED
         by MEMORIALS that MEMORIALIZE and
         ARTICULATE their ARTISTIC ARTIFACTS |
  note how MODERN ART DEPRECATES ITS LINK TO BEAUTY
  note comments from ORTEGA y GASSET given below re
       THE DEHUMANIZATION OF ART
  hx> COMMUNISTS PROPOSED THE NEED TO THOROUGHLY DESTROY
      "OLD" VALUES AND SOCIAL ORDER INCLUDING THE IDEA
  UPHELD FOR MILLENNIA THAT ART IS LINKED TO BEAUTY
  THE REVOLT BY "SCIENTIFIC" MATERIALISM PERMEATED
  ARTISTS AND LED TO VARIOUS IDEOLOGIES OF ART
  as in "NOUVEAU" ART
  ATONIC MUSIC etc                                sug> HARMONY
  note Isidora DUNCAN [#] WHO HOPED WHILE IN      sug> VIBRATION
       THE USSR TO REVOLUTIONIZE DANCE            sug> ALTER
  SOME FOUND HER INFLUENCE EITHER                 sug> RABID
  REVOLUTIONARY OR REVOLTING                      sug> UGLY
  note "MATERIALISTIC" or                         sug> MATTER
       A MARXIST VIEW OF ART                      sug> ADVOCATE
 INCLUDED PROPONENTS WHO WORKED TO                sug> PATRON
 "FREE" ART FROM BEAUTY                           sug> RADIANCE
  as in CUBISM and other "ISMS"                   sug> LOVELESS
  others held that ART IS MEANINGLESS             sug> ABSTRACT
  MANY "ADVANCED" or AVANT GARDE ARTISTS          sug> PICASSO
  however ART DID NOT PROSPER UNDER               sug> FLOURISH
  UNDER POPULIST under COMMUNISM nor FASCISM      sug> INDICT
  APPARENTLY POPULIST MOVEMENTS                   sug> PROLETARIAT
  HAVE LITTLE TOLERANCE FOR ARTISTIC              sug> AESTHETIC
  INNOVATIONS or ABSTRACTIONS  instead            sug> CREATIVITY
  MOST DICTATORSHIPS FAVOR "HEROIC" ART as in     sug> CRUDE
  LARGE MONUMENTS OF POPULAR FIGURES              sug> BUST
  id+ AN EARLY STEP IN ART IS TO ACQUIRE SKILL    sug> PROFESSIONAL
      as in ARTISAN  ARTIFICE  ARTIFACT           sug> APTITUDE
  ANOTHER ESSENTIAL INGREDIENT IS TALENT          sug> GENIUS
  THE ADMIXTURE OF SKILL AND TALENT MAY           sug> PHENOMENON
  METAMORPHOSE AN ARTISAN INTO AN ARTIST          sug> GENESIS
  note how SOME MODERN " ARTISTS "                sug> MASTER
  NEVER ACHIEVED ENOUGH SKILL                     sug> MUSTER
  TO BE CONSIDERED ARTISANS                       sug> CRAFTSMAN
  id+  | ART IS MAN MADE |                        sug> PHRASE
  DECORATIVE ARTS POSE SOME QUESTIONS SINCE       
  IT MAY BE DEBATED IF ARRANGEMENTS OF NATURAL PRODUCTS
  LIKE FLOWERS CAN BECOME "ARTISTIC"
  FOR MOST ART CAN NOT BE A NATURAL PRODUCT
  IT MUST REFLECT UNUSUAL CREATIVE SKILL
  consider PHOTOGRAPHS       see>  IMAGE
  a more conservative view is to reserve the word idea
  "ARTISTIC" for those who possess the
  SKILL OF AN ARTISAN as well as a
  UNIQUE CREATIVE TALENT TO ELUCIDATE BEAUTY
  another DILEMMA ARISES WHEN THE ARTIST IS NOT THE ARTISAN
  as when the OBJECT ORIGINATES FROM INDEPENDENT FORCES
  as in PHOTOGRAPHY or in DECORATIVE ARRANGEMENTS
  note THE BASIS FOR THE SURVIVAL OF CLASSIC WORKS OF ART IS
       THEIR INHERENT BEAUTY RESULTING FORM A UNIQUE MIXTURE
  OF UNIQUE SKILL WITH A CREATIVE TALENT CAPABLE TO
  CAPTURE THE IMAGINATION AND APPRECIATION OF FUTURE GENERATIONS
  note ART IS ONE AVENUE FOR HUMANS TO TRANSCEND THEIR MORTALITY
  THROUGH THE CARE AND VALUATION BY FUTURE GENERATIONS
  WHICH HAVE THE OPTION TO DISPENSE or PRESERVE ARTISTIC WORKS
  note " ARS LONGA VITA BREVIS "                         maxim
  or     ART IS LASTING  LIFE IS BRIEF
  in sp VIDA ES BREVE = BRIEF IS LIFE             sug> BREVITY
  sug> IMMORTAL  IMMORTALITY   ARTIFACT  ARTIFICIAL  ARTICLE
  lit+ in "The Dehumanization of Art" by Jose ORTEGA y GASSET [#]
       Doubleday Anchor Books 1952 the author argues that
  "... TO THE MAJORITY OF PEOPLE
  AESTHETIC PLEASURE MEANS A STATE OF MIND
  WHICH IS ESSENTIALLY UNDISTINGUISHABLE FROM
  THEIR ORDINARY BEHAVIOR ...
  BUT AN OBJECT OF ART IS ARTISTIC
  ONLY IN SO FAR AS IT IS NOT REAL ...
  NOT MANY PEOPLE ARE CAPABLE OF ADJUSTING {their perceptions
  to revel in the art  and not to focus on the realism of the media}
  NO WONDER THE 19th CENTURY {realistic} ART HAS BEEN SO POPULAR
  ... THE MODERN NEW STYLE CONTAINS
  CERTAIN CLOSELY CONNECTED TENDENCIES {and} TENDS TO
  DEHUMANIZE ART
  AVOID LIVING FORMS
  TO SEE TO IT THAT THE WORK OF ART IS NOTHING BUT A WORK OF ART
  TO CONSIDER ART AS PLAY AND NOTHING ELSE
  TO BE EXISTENTIALLY IRONICAL
  TO REGARD ART AS A THING OF NO TRANSCENDING CONSEQUENCE ... "
  cont> see> ESTHETIC     sug> ANESTHETIC